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THE IJA STAGE CHAMPIONSHIPS: INDIVIDUALS, TEAMS, AND JUNIORS
In addition to the rules and procedures for the IJA Stage Championships, supplemental information can be found on the Stage Championships web page (http://www.juggle.org/champrules/stagechampionships.php). All questions regarding the IJA Stage Championships shall be directed to the Championships Director. The Championships Director's contact information can be found on the IJA Contact Page.
INTRODUCTION
There is no limit to the choice of props and the style of manipulation; however, the majority of the act must involve the manipulation of props. Other skills will be judged in so far as they directly enhance the overall entertainment aspect of the routine, or to the extent to which these non-juggling skills, when combined with juggling, increase the difficulty or risk of the juggling.
Competitors are to have a prepared, polished juggling routine, running within the time limits of the competition, with few drops. Competitors are expected to behave in a professional manner, and to inform the Championships Director beforehand of any unusual needs or problems with a routine. Professional practices include knowing the rules; abiding by the schedule; being on time for all registrations, preliminaries, rehearsals, performances and awards ceremonies; respecting the rights of others; and conducting oneself in a gracious manner.
DATES
AND TIMES
EVENTS
1. Individuals - solo juggling routines
2. Teams - routines involving two or more jugglers
3. Juniors - solo juggling routines for jugglers under 18 years old.
WHO
MAY ENTER
REGISTRATION
QUERIES
All concerns and questions of consequence regarding a specific preliminary
or finals event should be addressed to the Championships Director or to an
individual designated by the Championships Director, and not to an individual
judge or other IJA staff person. Decisions of the Championships Director in
all matters regarding the Stage Championships are final.
RULE
VIOLATIONS
DISQUALIFICATION
CHAMPIONSHIPS
STAFF
The Championships Director will choose all staff for the competition. The
staff needed is as follows:
· 5 Preliminary Judges
· 7 Finals Judges
· 1 Timer
· 1 Drop Counter
· 1 Scorekeeper
· Stage Hands - number to be determined by the Championships Director.
The Championships Director may appoint additional staff if needed.
JUDGES
· hobbyist jugglers
· professional jugglers
· former juggling competitors
· entertainment establishment owners
· circus owners
· circus / variety arts entertainers
· juggling prop makers
· local patrons of the arts
· local university theater professors
· booking agents
· talent scouts
· theater producers / directors
· other entertainers associated with jugglers (e.g., musicians, choreographers,
costumers, etc.)
As much as possible, the Championships Director should attempt to diversify the panel of finals judges. Judge selection will be made public before the deadline for preliminary entries, and will include judges' names and credentials.
Judges should not have a close personal relationship with the competitors where he or she would not be able to fairly assess the performance of the competitor. If a judge or competitor feels there is a problem regarding this issue, then it is the individual's responsibility to bring it to the attention of the Championships Director.
With respect to both the Stage Championships Preliminary Competition and Finals Competition, the Championships Director(s) do not participate in the judging of any competitor's performance, nor communicate with or influence the judges scoring of that performance in any way. Judges do not confer with one another while scoring a competitor's performance.
All judges will receive instruction to assist in applying the scoring system and criteria as outlined in the JUDGING SYSTEM section below.
GUIDELINES
FOR JUDGES
· A judge's primary role is to provide a fair and objective appraisal
of the performance viewed.
· Judges are responsible for reading and understanding all rules
before the competition.
· Scores should be completely independent from other judges. Judges
should not talk to each other during the competition.
· Judges are to score based on what is seen at the time of judging,
not on what they think the competitor is capable of or on what the judges
have otherwise observed the competitor doing.
· Judges are to look for both good and bad qualities.
· A judge should never criticize another judge or their scores.
· All scores and comments should be recorded legibly.
· Judges should be honest with themselves and not worry about what
others may think or decide. Each judge's opinion is valid.
· Judges should train themselves to be consistent. All competitors
should receive the same appreciation and consideration. Marking a score
differently than what one really feels (too high or too low) could unfairly
affect the final outcome for another competitor.
· It is important to look at the whole and not overemphasize one
point so that it becomes the prime issue.
· Judges should make themselves available to competitors after the
competition for further explanation and suggestions for improvement.
· Preliminary Judges must keep their opinions and scores confidential until after the competition is complete.
· All concerns and questions of should be addressed to the Championships
Director or to an individual designated by the Championships Director.
The same judging system used in preliminary judging will be used in final competitions. The only difference is that five judges will be used for preliminaries, and seven for the final competition.The top and bottom scores will not be counted. The middle three will be averaged together.
The Championships Director will send all videos of acts to the five preliminary judges. Each judge will evaluate all the acts independently. They will have ten days to complete this process. The preliminary judges will then return scores to the director, keeping a record of their own scores and keeping their scores and opinions confidential. The Championships Director will then compile scores and the predetermined number of competitors will be chosen based on the top combined scores. The director will then forward the results to each of the preliminary judges, showing all scores and computations. Once all judges have confirmed the accuracy of their scores, all entrants will be notified of who qualified for the final competition. Acts who do not make the final competition will receive a copy of their scores, as well as their overall placement in the field, cut-off score, and preliminary judges' comments. All results and comments for the entrants who qualify for the final competition will be withheld until after the competition is complete.
Performance position in the competition finals will be partially based on the entrants' preliminary performance score. Finalist competitors, whose preliminary performance scores were ranked in the lower half of the set of finalists' preliminary performance scores, will perform in the first half of the competition, but not necessarily in rank order. Finalist competitors, whose preliminary performance scores were ranked in the upper half of the set of finalists' preliminary performance scores, will perform in the second half of the competition, but not necessarily in rank order.
Finalist registration videos, submitted during preliminary competition, must remain available to view by judges through the completion of the stage competition finals. Should the need arise, this enables judges to review and verify that no significant performance change or team substitution has been made between the preliminary and finals competition.
REHEARSAL
FOR FINALS
BACKSTAGE ACCESS
Due to insurance requirements and to ensure professionalism,
NO ONE is allowed back stage during technical set up, tech rehearsal, dress rehearsal, final performance, or post performance except competitors, Championships Staff, production staff, site technicians, performers, and other authorized personnel. Competitors are allowed to be accompanied by only one additional person, such as a coach, parent, etc. This same limit also applies to team competitors. Stage hands will be available to assist competitors with performance set-up and other assistance as required during tech rehearsal and actual performance.
Security passes are required for everyone permitted backstage.
ASSISTANTS
A competitor is permitted to have up to two prop assistants.
If a competitor requires prop assistants and cannot provide their own, they
must inform the Stage Manager who will assign them technicians. Prop assistants
are required to be physically involved with the competitor's act. Competitors
needing more than two prop assistants may ask the Championships Director
for permission.
MUSIC
AND SOUND EFFECTS
Music requirements are available on the
IJA's Music Policy for Competitions Page . Compliance with the IJA Music
Policy is the responsibility of the competitor.
TIME
LIMITS
TECHNICAL
RESTRICTIONS AND CONSIDERATIONS
To reduce delays in the competitions and minimize the time between performances,
all acts must require less than two minutes for set up, starting from an
empty stage. To completely clear the stage after the act is complete should
require no more than two minutes. Any unique entrances, exits, props, intentional
drops, etc., must be discussed with the Championships Director before the
competitions begin. Providing special effects, such as strobe, fog, explosives,
fluorescents, black lights, etc., is the responsibility of the competitor.
All special effects must be cleared with the Championships Director and
the facility stage manager.
The IJA will endeavor to provide a high quality stage for the competitions, but no explicit guarantees are made concerning characteristics of the performance area. For example, competitors are advised to provide their own "bounce slabs" for technical bounce tricks, and to be prepared to cope with possibly adverse lighting conditions or uneven ceiling heights.
No object may be intentionally juggled in an unsafe manner or thrown or kicked off the front of the stage.Acts involving fire in any way are not permitted. Acts that damage the performance area in any way are not permitted. Judges, audience members, and all backstage personnel, except those directly involved with an act, may not engage in any behavior that could materially affect an act, other than applauding or otherwise expressing approval in appropriate ways at appropriate times. The Championships Director reserves the right to veto any prop or portion of a routine that may jeopardize the professionalism of the championships or the safety or property of the audience, the championships personnel, or the theater.
JUDGING
SYSTEM
The scoring system will be the same for all stage competitions. The Teams
competition has the following additional rules:
(a) Team acts should involve significant juggling and performance
interactions among the team members. Significant interactions would include
any kind of passing or exchanging of props among members, as well as simultaneous
or coordinated juggling among members.
(b) All team members should make a significant contribution
to the act.
If these Teams rules are not followed, the judges' scores should reflect negatively.
Each competition is judged separately from one another. Team competitors are evaluated and ranked against other Team competitors only. Individual competitors are evaluated and ranked against other Individual competitors only. However, performances may be inter-mixed with respect to competition / show order.
Every finals act is required to be as similar as possible to its preliminary act. A competitor who intentionally changes his or her act in a significant way from the preliminary act may be disqualified.
A
scale of 0 to 5 is used for judging all competitors:
0 = No Achievement or Attempt
1 = Very Poor
2 = Poor
3 = Good
4 = Very Good
5 = Perfect/Flawless
Decimals to one place are permitted to show more detailed differentiation
(e.g., 3.3 or 3.7)
The following categories are used to determine the final score of each performance. The multiplication factor determines the weight of each category.
Category |
Multiplication Factor |
Total Possible Points |
|
Execution |
4 |
20 |
|
Entertainment Level |
4 |
20 |
|
Degree of Difficulty |
3 |
15 |
|
Theatrical Framing |
3 |
15 |
|
Creativity |
3 |
15 |
|
Element of Risk |
2 |
10 |
|
Stage Presence* |
1 |
5 |
|
Total |
20 |
100 |
*The Stage Presence category is not included in preliminary judging. Each competitor will automatically be rewarded with five points for Stage Presence in the prelimary competition.
The Drop Counter will count the drop events in each performance. A drop event occurs when a competitor loses control of one or more props and it falls to the floor. Regardless of how many props hit the floor, it is counted as a single drop event. Prior to scoring, the Drop Counter will give the drop count to the judges for consideration. It is up to the judges to determine how drops affect scores.
Each judge is required to score independently. Judges record their scores and write comments for each act immediately after the completion of the act. All scores are to be turned over to the scorekeeper before the next act begins.
The Timer measures and records the completion time of each act. If the competitor goes over time, the following points will automatically be deducted from the final score. This is a systematic deduction and is not within the responsibilities or control of the judges.
|
Seconds Over Time |
Points Deducted from Final Score |
|
> 0and </=10 |
1 |
|
> 10and </=20 |
4 |
|
> 20and </=30 |
9 |
|
> 30and </=40 |
16 |
|
> 40and </=50 |
25 |
|
> 50and </=60 |
36 |
|
> 60 |
Automatic disqualification |
The lowest and highest scores in each category are thrown out. The remaining five scores are averaged together. This would be the final categorical score.
The scorekeeper enters each score into a spreadsheet during the competition for expediency. Each final categorical score is multiplied by its corresponding factor to figure points. All points are added up to total the final score. The competitor with the highest score wins first place, the competitor with the second highest score wins second place, and so on.
In the event of a tie, the final categorical scores for the competitors with equal scores will be recalculated with all the judges' scores, including the highest and lowest scores that were previously omitted. This recalculation will determine who wins the tie. If the scores are still tied after the recalculation, a tie will be declared and two medals will be awarded for the same place. If there is a medal for the next place, it will not be awarded (e.g. a tie for second place calls for two silver medals, but no bronze medal).
One of the five preliminary judges is needed to be present at the competition to confirm that the preliminary act is very closely the same as the final act. If the preliminary judge feels the competitor has intentionally changed his act between the preliminaries and the finals, the Championships Director will be notified. It is the decision of the Championships Director as to whether or not the competitor will be disqualified. The Championships Director will not have the opportunity to make the decision unless the preliminary judge raises the issue.
Following the competition, the judges may be required to leave the theater to confirm all of their scores are correct. This time is to be used to confirm scores written on judges' scorecards. This time is not to be used to discuss, debate, or change scores. Once all scores are confirmed, the winner will be ready to be announced.
All scores with complete breakdowns may be posted at the festival and on the Stage Championships web page. All competitors will receive a copy of the scorecards for their championship and preliminary acts.
EXPLANATION
OF CATEGORIES
Entertainment Level:Overall appeal of the act.
Degree of Difficulty:Difficulty of tricks performed, as well as the inherent difficulty of the prop used. Degree of difficulty is determined by the type and number of objects juggled; the speed of the juggling; the types of throws, catches, balances, or other object manipulations; the complexity of combinations of juggling tricks; and the transitions between juggling tricks.
Theatrical Framing:May include but is not limited to overall routine, costume, music, speech, comedy, use of props, and staging. High marks will be awarded for successfully using theatrical elements to enhance an act. Low marks should be given if theatrical elements are detrimental or distracting to the act.
Creativity:New tricks, props, approaches to performing, and presentations that are performed well will receive high marks.
Element of Risk:The chance of a drop or mistake, and the difficulty of cleanly recovering from a drop or mistake.
Stage Presence:Ability to command an audience with confidence and an impressive style or manner.
AWARDS
AND PRIZES
First
place: gold medal
The prize money for teams is to be shared among the team members. For example, aprize of $500 for a team act means that the team receives $500, not that each team member receives $500.
If only two entrants qualify for the finals in any event, then no third place medal or third place prize money will be awarded in that event. If only one entrant qualifies for the finals in any event, then that entrant wins the gold medal and associated prizes, and no second or third place medals and prizes are awarded in that event.
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